Torres and the Influence of David Bazan and Terrence Malick
It’s June again: The end of another academic year. We’ve come to Graduation Weekend, and I’m driving to a special ceremony, where this year’s crop of honors society students — the Seattle Pacific University Scholars (or “UScholars”) — will gather with families and friends to celebrate their achievement.
And on the way, my car doors are pulsing to the beats of an album that has its hooks in me: Sprinter by Torres.
These songs keep playing in my head long after I’ve had parked the car on Seattle’s Queen Anne Hill and descended into the sunny campus. Everywhere I look the lawns are alive with faculty in full regalia and seniors draped in graduation gowns and stoles, capped with tasseled mortarboards. I hurry through the crowd to the lobby of Otto Miller Hall, where UScholar seniors have set up informative honors project displays. There each student explains to visitors what they’ve been learning in these last days before their launch into the great unknown.
Despite the celebratory mood, I..
